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Featured Artists

> Jenni Dutton

Jenni works in Somerset. Trained as a painter at St Martins and Byam Shaw in London, Jenni  moved on to make large wire and paper wrapped figures that developed into ‘dresses’. > More

> Pennie Elfick

Contrary to immediate first impressions Pennie’s paintings are firmly based in landscape. Specifically, she attempts to capture the transient nature of light. > More

> Andrew George

It is not so common to find an artist who is so adept with the technique of egg tempera. It is a hard medium to control but Andrew George is particularly masterful with it.> More

> John Hilliard

John Hilliard‘s art investigates the nature of light. Inspired by walks along beaches, his images are not in any way topographical but explorations of the interplay between light, reflected light, sea and sky. > More

> Paul Jones

Paul was a scholarship student at Bath Academy of Art, Corsham at a time when Adrian Heath, Robyn Denny and Howard Hodgkin were his tutors. > More

> Ione Parkin

Ione has spent the past twenty years as a professional artist painting images that reflect elements of the world that she has experienced. > More

> Amanda Wallwork

Wallwork paints history. Her images reflect the marks and traces left behind by people on places and objects, both deliberate and accidental. > More

Amanda Wallwork

Amanda Wallwork
Amanda Wallwork paints history. Her images reflect the marks and traces left behind by people on places and objects, both deliberate and accidental. Her paintings are abstract interpretations that symbolise stories, places, journeys, rituals and time.

They are also a form of mapping; a mapping both of the present (of forms and objects seen openly in the landscape), and of the past (of forms and shapes buried within the ground, revealed only when seen from up high). The Dorset and Somerset landscapes are rich in archaeology that provides an endless source of inspiration – henges, hill forts, round barrows, standing stones.

Wallwork’s paintings are constructed from layers of plaster and oil paint built up on 1 cm thick wood blocks, giving an impression of tiles. The layers are then scratched through to expose the layers beneath. This process, reminiscent of an archaeological excavation, reinforces this sense of time and antiquity. Furthermore, through her choice of colours and textures she gives her paintings the semblance of museum artefacts, a conscious decision inspired by time spent in the Horniman Museum in South London which she knew early in her life.

Her recent exhibitions have focused on the Jurassic Coast, developing a project which is of primary significance to Dorset and the surrounding areas.

If you wish to see what works are available by Amanda Wallwork please contact me and I will forward a selection of new examples for you to review.